Most CMCers don’t know how the Athenaeum program started, or that CMCers used to hire typists for their senior theses, but one alumnus-in-residence remembers.

It was a leisurely, rainy and blustery Friday afternoon when I stepped inside CMC’s Claremont Boulevard building. After insisting that I help myself to some flower-shaped pieces of fruit, John Faranda, perhaps one of the most known CMC personalities, ushered me into his office.